Evolution of a Painting

This is a re-post from my Facebook page, March 1, 2010.

In 1988, black bear weren’t a common sight around Corry, PA. I had caught a glimpse of one during the spring while I was on one of my many field hikes into the swamps in and around Corry. I was sketching a beaver dam when I saw the big bear ramble through less than 50 yards away. I stayed as still as possible for several minutes after it disappeared into the underbrush, then I disappeared in the opposite direction.

The sighting stayed with me throughout the summer; I purposely scanned the woods and waterways for another glimpse of the bear. I planned to photograph it, but we never crossed paths, although it may have been out there, nearby, out of sight, watching me. Swamps have a plethora of hiding places. That’s why deer take refuge in them during hunting season.

From this near encounter came the idea for my next painting.

The hardest thing for me as a painter is getting my signature right.

Although the painting looks done, I wasn’t happy with it. I changed my signature again and got rid of the halo around the front of the bear.

As you can see in the above photo, I glazed the water with Ultramarine Blue. I decided that it looked too “vivid” so I changed it back (see photo below). Now I had a finished painting. Here it is at the gallery, April 1989.